Don’t worry, I hate spoilers, so I’m not going to spoil you to anything that happens.
For J.K. Rowling, the release of the seventh Harry Potter book is very much a case of “That’s all, folks.” This is the last and final book in the Harry Potter saga, and what a series finale it is. After finishing it, I said to my friends, “I have never read this book’s equal.” And I meant it. I have never read a book, but especially a book series, like Harry Potter. If you thought J.K. had used up all her major surprises in book six and all that was left was a Horcrux hunt, then boy-o-boy are you in for a surprise. There are more mysteries, twists, revelations, and deaths in this book than in all the others combined. And they didn’t skimp on the surprise.
In terms of writing, this book is least like the other Potter books. Rowling’s style is the same, but is invested throughout with a building magnificence. She subtly uses more archaic and noble words and focuses less on the feeling of modernity (cars, the outside world, modern verbiage) and the book takes on the feel of a real, full-blown fantasy novel, with swords coming from lakes, ancient legends, fairy tales, magic, and above all, the looming pressure of coming death. Structurally, too, it is massively different than all the other books, because Harry is no longer at school, but out on a great quest.
Ultimately, this is by far and away the greatest of the Potter books. It is subtle, and shows a depth of forethought and development unlike anything I have ever experienced. Everything that has ever been done or said in the previous six books comes back in some significant way here. Unobtrusive lines of dialogue from previous books that you never thought about (such as “The wand chooses the wizard, Mr. Potter,” from the first book) all come back into play for a second round, and they’re not just inserted in there for a mention, they’re there with a purpose that plays into the story. Really, what you get in this seventh book is the interplay of history, which bears down on the whole story and adds a weight of believability and depth to the whole project.
The bottom line is this: there is no longer any way for people to claim Harry Potter is literarily worthless. The breathtaking scope of Harry’s journey and the attention to narrative and development by Mrs. Rowling simply destroys all arguments by some critics who have claimed that the series is without literary merits. I greatly respect Nathan Wilson as a writer and Christian thinker, but he is particularly wrong on this point, and I hope this installment shows him that. Harry Potter has made it onto the shelf beside Narnia and Middle Earth as not only great fantasy fiction, but great fiction by strong Christians, with Harry Potter and the Deathly Hallows.
Speaking of Christianity, this last book destroys all arguments by the anti-Potter Christian crowd. Harry Potter is Christian work by a Christian, and becomes explicitly Christian here in the Deathly Hallows. And not only cop-out light-weight Christianity, but full-boar Nicenian Christianity. Rowling explicitly quotes three verses, including “Where your heart is, there will your treasure be also,” and the verse of the book that becomes the beating heart of the book, and the whole series, is inscribed on the grave of Harry’s parents: “The last enemy to be destroyed is death.”
So if you haven’t read Harry Potter, I suggest you give it a shot, if your conscience will permit you. You won’t regret it. After you’ve finished reading the series, you can get a number of books by Christians showing how they speak profoundly to Christian truth, like Connie Neal, a woman who worked for a very long time with Focus on the Family, who has written The Gospel According to Harry Potter and What is a Christian to Do With Harry Potter? I would also suggest reading The best books by a Christian on Harry Potter is John Granger’s Looking for God in Harry Potter and Francis Bridger’s A Charmed Life: The Spirituality of Potterworld. I cannot recommend any of the books Richard Abanes has written on literature, on fantasy, or on Harry Potter, as he has proved himself mostly incompetent at the job, and otherwise fundamentalist-esquely shrill about all the wrong things in all the wrong places.
Basically, Harry Potter is here to stay, and it is a classic. I look forward to the rest of Mrs. Rowling’s writing career.